- Published on
Birds & Blossoms Sumi-e Painting by Virginia Lloyd-Davies
Want to try my sumi-e painting of "Birds & Blossoms"? Here are some tips on how to create your own masterpiece. Don't be dismayed if yours turns out differently from mine. Sumi-e and Chinese brush paintings come alive through the energy of the brush strokes, and every artist's strokes are unique.
Practice! Once you have studied the step-by-step elements and practiced with the video segments, the composition will come together easily for you. Think of it as an adventure! You'll find the link to the full video at the end of this post.
Materials: I am using thin raw xuan ("rice") paper, but you can use double raw xuan if you prefer. (Recommended Chinese paper suppliers.) Sized Asian paper or Western watercolor paper will not give you the effects you need to create this xie-yi ("paint the idea" or "spontaneous style") painting. I am using two sumi-e brushes: a small, mixed bristle brush with a good point for the birds, the veins and the flower stamens, and a larger, fatter, mixed bristle brush (it could be all soft or hard bristle, depending on your preference) for the petals and leaves. (Recommended Chinese brush suppliers.)
Practice! Once you have studied the step-by-step elements and practiced with the video segments, the composition will come together easily for you. Think of it as an adventure! You'll find the link to the full video at the end of this post.
Materials: I am using thin raw xuan ("rice") paper, but you can use double raw xuan if you prefer. (Recommended Chinese paper suppliers.) Sized Asian paper or Western watercolor paper will not give you the effects you need to create this xie-yi ("paint the idea" or "spontaneous style") painting. I am using two sumi-e brushes: a small, mixed bristle brush with a good point for the birds, the veins and the flower stamens, and a larger, fatter, mixed bristle brush (it could be all soft or hard bristle, depending on your preference) for the petals and leaves. (Recommended Chinese brush suppliers.)
The Birds
Closeup of Birds on Xuan Rice Paper
Load your brush with strong black ink and start with the beak and eye of both birds. This establishes their relationship and will give you some ideas for the bodies (facing front, facing back, body higher, body lower, etc). This is a simple Chinese sitting bird composition. I am using a small mixed bristle brush with a good point. Hold the brush upright for the beak and eye, and at a slant for the wings and belly. Add the feet when the branch is dry. You can learn more about painting birds in my book "Mindful Artist: Sumi-e Painting" published by Quarto. Watch the birds here: